Imagine: as a very young child you were walking out in some scrub, you pointed to a particular type of flower, and a person near you told you its name was "banksia". The term "banksia", which was not learned from a dictionary, detached itself from some more abstract logos and became embedded, like that banksia's own seed, within your self. In this way, each word, like your parents' very breaths, entered you and assumed its soft seat of intimacy. Later, the terms may detach from you, joining once more that more spectral Lexic to which the poor lexicographers only allude. In short, that word lives in you, but it will not live there forever. Its swollen, fruit-like mass, will be eaten by your estrangement : not negatively, but rather in the budding context of a natural growth.
The scene now is a beach at Grandville, and England rises at a further distance, though this is still, after all, a narrow strait of channel. In our distance now to language, we hold it no longer like a fruit, but like a stone: this pebble which is now outside of our minds, may be held in our hands, and seen in its aloofness with eyes of an eking, epistemological amazement.
The English words I learnt from my mother and father became mine, appropriated, part of my own linguistic Ereignis. Welcome now to darker fields of voyaging language's dissimulating sense. Recently, I have written the English verb "to resume", believing, in the instant of this writing, that this word meant "to summarize"; the crossed connection is the French word "résumer", which my mind, for a moment, situated between the two languages, and weighted its semantics with a double-sense remaining to the dictionaries unknown. In this "between", however, is not empty space, but the birth of a personal diction. It is only autotelic if we ever cease to think that "stone" and "pierre" have no weight.
Thus, simply, the word in that moment became mine, but in another sense: not via the "appropriation" dependent on my lived durée - that is, based upon the phonologies of my own parents' speech - but this time via my own alienation, which is simply to say: the stepping-back into a receding perspective, where all the coast's juttings become wider if less clear. This is no longer a supplied appropriation, determined by my words of birth, but vectored now by my own mind's life, with its degrees of determination, and stubborn calls for love.
It is the mingling of two acts of "enownment", which crossing, create an independent language: the one which lives inside each of us, and which not one resembles the next.
Each of our languages, then, is like each of our faces: marked by the breathings of birth and whatever errancies of our age. Both the eternal and mutable languages, endowed with their two similar types of possession, live then both within us, and it is both frightening and joyful to be separated from them both:
« Denken und Danken sind in unserer Sprache Worte ein und desselben Ursprungs. Wer ihrem Sinn folgt, begibt sich in den Bedeutungsbereich von : »gedenken« , »eingedenk sein« , »Andenken« , »Andacht«. »
So call my parsing diction, my wild syntactics foreign: only know, that in your naming, you are only situating these things deeper inside of myself, where they have their true home, and where the weight of their loving lies.

13 comments:
Mr. Manning: I found your essay interesting in many ways but overall confusing. You are clearly striving to articulate some very complex ideas about language, but your work lacks the basic analytical approach needed to make such complexity comprehensible.
You start by asserting -- but not explaining -- that our language is both strange and "masked." What does this mean? It is not enough to simply assert an opinion, especially in your introduction. Your reader needs to know first what your basic premises are and what they mean. Then you need to develop those premises in an orderly fashion, again explaining what you mean at each step, and then -- and only then -- can you draw your conclusions and show how your conclusions support your premises.
I will not presume to judge your conclusions, as I don't think you express yourself clearly enough for me to pass judgment on your ideas, but your final sentence is a pure mish-mash of mixed pronouns, and makes no reference to the first statements of your essay.
I would give you an A+ for effort. It is clear you have some very original ideas. But without some training in philosophy and in the art of writing clear English -- and yes, I know the limitations of regular English in expressing what you're after (Heidegger had this problem, as did Ricoeur and Gadamer) -- you will not be able to move forward with expressing what you clearly have to say. Talking about language using language is the trickiest of all tasks, and personally I have found poetry the most amenable form for so doing. The philosophers who have done so have built up their systems painfully and carefully before even venturing upon the kind of analysis you attempt. I have read your essay five times now, with care and attention. It was recommended to me by a good friend of mine, who was impressed by it and other things you have written. He is extremely intelligent and when he suggests I read something I take it very seriously.
I could -- but will refrain -- critique various sentences and phrases that seem to me to dangle without meaning. If you wish to reach people you cannot write beyond their reach. My training has given me a far reach indeed, in philosophy, metaphysics, hermeneutics, linguistics, English, German, French, and Spanish. I say this only to let you know that I am not writing to put you down -- indeed, quite the contrary -- but to let you know I am at least somewhat equipped to understand what you are trying to say.
Try reading Plato's dialogues. They are the most concentrated place to learn clarity of thought, good development of one's thesis, and they are fun. And for English you can't do better than Shakespeare.
You are not out of your depth in terms of the sophistication of your ideas, but you definitely are in terms of your abilities to express those ideas. It's as though you are trying to play Beethoven's Fifth without knowing where middle C is.
I congratulate you Jasper on your most impressive and far-reaching education "in philosophy, metaphysics, hermeneutics, linguistics, English, German, French, and Spanish."
A veritable renaissance man! Verily thou dost seem as great a scholar as ever has passed by these petty byways!
Ναι Sokrates, Ναι!
My piece isn't an essay, much less a formal syllogism; it accordingly has no premises, and no concluding proposition.
You write: "If you wish to reach people you cannot write beyond their reach." Yes, people are very stupid, aren't they Jasper? How fully you reveal the extent of your wisdom!
But I do hope one day that you may teach me and others "the art of writing clear English".
Only what you term "clear English" seems like death to me.
c'est peut-être notre ami aux cheveux frisés? la phrase finale est mortelle!
Thanks...
Canan Eoy
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